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Art Furnitureland
This summer, The Bomb Factory Art Foundation is pleased to present Art-Furniture Land, a group exhibition exploring the shifting boundary between fine art and furniture. Drawing inspiration from the conceptual provocations of artists like Donald Judd, Franz West, and Pipilotti Rist, the show features work by contemporary practitioners who approach furniture not simply as a functional object, but as form, invitation, and experience.
PV Thursday 14th August 6-8
Address 99 Kingsway London WC2B 6QX
Gallery will be open Weds-Sat 12-6pm
Exhibition dates: 15th Aug-6 Sept.
Address 99 Kingsway London WC2B 6QX
Gallery will be open Weds-Sat 12-6pm
Exhibition dates: 15th Aug-6 Sept.
Dear Marie-Therese,
Exciting! The following entry/entries have been selected to go to the next round (Short List) for the The Women in Art Prize 2025.
Shrine in the The Sculpture Prize category
Unit 1 Gallery | Workshop is thrilled to announce its upcoming exhibition, “100/50,” a dynamic showcase celebrating the resilience, dedication, and long-term perseverance of artists over 50
Private View: June 19th, 2025 6-9pm
Dates: June 20th, 2025 – July 20th, 2025
Opening Hours: Tuesday – Saturday, 11:00 AM – 5:00 PM
Location:
Unit 1 Gallery | Workshop,
1 Bard Road
London W10 6TP
Dates: June 20th, 2025 – July 20th, 2025
Opening Hours: Tuesday – Saturday, 11:00 AM – 5:00 PM
Location:
Unit 1 Gallery | Workshop,
1 Bard Road
London W10 6TP
The inaugural Sluice Film Festival will launch during the Sluice Seyðisfjörður Expo 23rd -25th May, in
eastern Iceland at the Herðubíó cinema, screening to local audiences and audiences attending the Expo.
The theme of the 2025 Sluice Film Festival and Expo is World Building - looking to the image of a chimera
as inspiration, the fusion of disparate elements—mythical, genetic, or imagined—blurring boundaries to
create something wholly new. In world-building, this would be the act of weaving realities from fragments,
constructing the impossible; things falling apart just as easily as they fall together.
As the world shifts and changes, it becomes vital that we contemplate our shared pasts and futures and attempt to reconcile our old and revitalised perceptions of reality. Pangaea Dreaming explores this shifting existential terrain with a nostalgic and whimsical fantasy of exploration and self-discovery through a series of different technicolour dreamscapes. Artists Marie-Thérèse Ross and Marcia Teusink have brought their practices together as Go Between Projects and have created a shared world in their collaborative and experimental stop action film. The specially commissioned soundtrack is composed by musicians Lucie Biek and Julian Carandini.
Pangaea Dreaming, collaborative film & installation by Go-Between Projects (Marcia Teusink & Marie-Thérèse Ross) selected for Sluice Seyðisfjörður: World Building Sluice inaugural Film Festival, eastern Iceland at the Herðubíó cinema Seyðisfjörður, Iceland. 23 – 25 May 2025
Pangaea Dreaming, collaborative film & installation by Go-Between Projects (Marcia Teusink & Marie-Thérèse Ross) selected for Sluice Expo Seyðisfjörður: World Building, Seyðisfjörður, Iceland
Sluice works with artist and curator-led projects and galleries, collectives, collaborations and alternative platforms. Broadly defined, Sluice is concerned with artist-led culture. World-building as a means to explore how we build worlds within our own. How these re-imagined, alternative worlds reflect back at us our dissatisfaction with the world as-is and points towards utopic/dystopic alternates.
23 – 25 May 2025 Seyðisfjörður, Iceland
Ends And Odds And Fleeting Moments. Vivienne Roberts Projects
The Bindery 53 Hatton Garden London EC1N 8HN 11th Feb-9th March 2025
Opening Saturday 15th Feb 2025
The ends and odds in the title of this exhibition refer to materials - scraps and fragments
that have fallen into disuse, remnants of a past life, abandoned as something new takes
their place. It speaks to impermanence, transience, and transformation, but not in a sense
of renewal. Rather, it reflects the fleeting nature of time, where the discarded is
acknowledged, but not reclaimed.
The ends and odds in the title of this exhibition refer to materials - scraps and fragments
that have fallen into disuse, remnants of a past life, abandoned as something new takes
their place. It speaks to impermanence, transience, and transformation, but not in a sense
of renewal. Rather, it reflects the fleeting nature of time, where the discarded is
acknowledged, but not reclaimed.
A Bird Went In Search Of A Cage. Vivienne Roberts Projects
Online 22nd Nov 2024-30th Jan 2025
Vivienne Roberts Projects wwwviviennerobertsprojects.com
The Bindery 53 Hatton Garden London EC1N 8HN
Vivienne Roberts Projects wwwviviennerobertsprojects.com
The Bindery 53 Hatton Garden London EC1N 8HN
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